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This powerful debut novel reflects real-life accounts of the Siege of Sarajevo in the 1990s and the power of art. The siege, lasting from April 1992 to February 1996, the longest in modern warfare, resulted in the deaths of 10,000 people. The story opens in the spring of 1992; nationalist gangs roam the city, erecting barriers dividing neighbourhoods into ethnic enclaves. In the morning, the residents- Bosnian, Croatian, or Serb- push them aside, resuming their normal relationships, ignoring metal barriers and checkpoints. Zora Kocovic, a Bosnian Serb, is an artist. Painting and teaching keep her sane in the insane time of war. The conflict goes on but she mails a letter to her husband whom she has sent with her elderly mother to England for safety. Zora's decision to stay was to protect their apartment and her job. Sarajevo is soon cut off from the outside world- no phone, no post, and bombs and snipers all around. When the power fails, people try to bargain with the contents of their freezers in the street. We witness the rapid deterioration of a modern city. There is a special poignancy in reading this story of more than 30 years ago when we know from our daily news feeds it’s happening in many places in real time today. The individual characters in the novel emerge quickly as individuals coping with hardship. Mirsad, a book seller and Zora’s neighbor and friend, reports on the black butterflies that have been falling all over the city- burnt fragments of books, paintings, poetry, and art as a result of the destruction of the Vijećnica, the national library with its great glass dome where Zora’s studio was located. I must confess that I sometimes had trouble keeping everyone’s ethnicity and religion straight, perhaps reflecting the pre-war situation where these characters just lived together as neighbors. The title could have been Resilience. The book is not about ideology or battles or soldiers or history or power, just people who bear the consequences of war.
Murder, mystery, and sisterhood are what The Queens of Crime is all about. Set in London in 1930, the five greatest female crime writers band together to show their male counterparts they are as smart and sophisticated as any man. The plan of the famous five- Dorothy Sayers, Agatha Christie, Ngaio Marsh, Margery Allingham, and Emma Orczy- is to solve the murder of a young English woman. The body of May Daniels, a young nurse, is found in France months after she suddenly disappeared while on vacation with a friend. The five writers trace May’s last days, interview those close to her, and uncover the secrets she was hiding, determined to ensure her murderer is punished. As they pursue justice for May, they realize the power (and fun) of working together and show their male colleagues the power of women.
This extraordinary gem of a book celebrates the splendour of 85 synagogues in nineteen countries around the world, many of which have stood for centuries. Montreal's Shaar Hashomayim is one of them and the only Canadian synagogue featured. Mr. Abitbol writes, "Since its beginnings, Shaar Hashomayim has been much more than a place of prayer: it has been a cornerstone for the Montreal Jewish community, a sanctuary of faith and solidarity, where religious, educational and social dimensions intertwine harmoniously." The never-before-seen photographs and historical text present a rare opportunity to experience the rich tradition of Judaism for anyone fortunate enough to hold this book in their hands.